Clarissa, 2025
in collaboration with émergent magazineAlan Michael, Alexandra Bircken, Anna Clegg, Calvin Marcus, Eric N. Mack, François Durel, Graham Wiebe, Hamish Pearch, Hilary Lloyd, Jan Vorisek, Jasmine Gregory, Jef Geys, Josef Strau, Joel Wycherley, Justin Chance, Kayode Ojo, Kembra Pfahler, Michael Dean, Michel Majerus, Oscar Enberg, Patricia L. Boyd, Rafik Greiss, Remi Ajani, Ser Serpas, Stuart Middleton, Tiago Francez, Tobias Spichtig, Tom Burr and Win McCarthy.





Installation view 







Kayode Ojo
Private Residence, New York (Patek Philippe Nautilus) (2021)
 c-print in polished aluminium frame
102.9 x 68.9 x 4 cm 
enquire
Joel Wycherley
Syrinx (2025)
Kayak, lorry, greenhouse, goose egg 
4600 x 400 x 1500 cm
enquire







Installation view 







Patricia L. Boyd
Untitled (2024) 
Photogravure on paper 
39 x 54 x 3 cm
enquire






Installation view
Tobias Spichtig
My name is name (2025) 
Clothing resin and paint 
226 x 35 x 25 cm
enquire






Installation view







Jef Geys
Morpho peleides (Beauties series) (2017)
 Watercolour & acrylic on canvas
30 x 40 cm
enquire







Installation view




Win McCarthy
Portrait of the Interior (Assembled Ceiling Fan) (2023)
 Silver gelatin fiber print, folded
72 x 210 x 3 
enquire






Alexandra Bircken
Klein’s Jacket (2017)
bronze
74 x 84 x 9 cm 
enquire







Installation view
Tobias Spichtig
Le Baiser (2025) 
Oil on linen
 190 x 110 cm
enquire


Hamish Pearch
Tools (2025)
UV printed aluminium, nail varnish, bronze, silver, fixings 
14 x 21 x 2 cm
enquire









Rafik Greiss
Second Life (2024) 
Inkjet print
46 x 35 cm 
enquire







Installation view








Tiago Francez
“The Crisis of Absence” (Diptych) - 2 times (2022)
 Engraved PVC and glass mounted on wood and aluminium 
60x 43 x 2,5 cm
enquire
Installation view





Oscar Enberg
Abstraktes Bild mit Vatersprache (2025)
Oil on flocked birch construction on panel, silkscreened acrylic, shellac and graphite on birch laminate, copper tacks
50 x 50 x 15 cm
enquire









Installation view
Installation view








Rick Owens, Kembra Pfahler
Untitled (2016) 
digital c-print
63 × 42 cm
66 × 49.5 cm (framed) 
enquire







Michael Dean
Unfucking Titled (2018)
Steel, concrete, corrugated plastic, balloons, cable ties, padlocks and scene tape 230 x 165 x 335 cm
enquire






Installation view






Alan Michael
Train in the Snow (2015) 
Oil on canvas
105 x 75 cm
enquire





Graham Wiebe
HOW TO Work with YOUR Fear of The WORLD TO UNLOCK CREATIVE MATURITY AND MANIFEST THE COURAGE FOR JOY AFTER YEARS OF Longing to Be ENOUGH (2025)
Spliced self-help books
51.5 x 11 cm
enquire







Graham Wiebe
How to ESCAPE an aimless ADDICTION When THE DEATH OF THE VESSEL IS RELIEF FOR YOUR BROKEN SOUL TO KEEP HEALING THROUGH THE COSMIC PROMISES OF ANCIENT TRUTH AND THE LOST MEMORY OF YOUR PERFECT DESTINY (2025)
Spliced self-help books
51.5 x 11 cm
enquire








Josef Strau
Hypostasis 1 (2023) 
Poster, acrylic, stone magnet
s 59.5 x 41.5 x 3 cm
enquire






Instalation view 
Jasmine Gregory
Bundle n. 3 (2023)
Acrylic, sand, cardboard, packing material
enquire






Installation view






Ser Serpas
Alice (Practice)  Language 6 (2025)
Ink on watercolor paper
Each: 51 × 41 cm
enquire
Stuart Middleton
Personal effects and things that are biographical in amongst material that might be understood as generic without clear separation under compression (Kebab) (2025)
 Steel threaded studding, nuts and washers, steel brackets, and hardware Installed dimensions variable
enquire







Installation view







Tom Burr
His Personal Effects (Lock-down), 1 (2021) 
Men’s t-shirt, upholstery tacks and wood 
38.1 x 38.1 cm
enquire
Anna Clegg
Interior 18 (2025) 
Oil on canvas 
60 x 45cm
enquire








Remi Ajani
Untitled (2025) 
Oil on canvas 
100 x 150 cm
enquire






Installation view









Seiji Inagaki
Not Titled (undated) 
Pencil on paper 
24.89 x 17.53 cm
enquire






Jasmine Gregory
Mark My Words (2025)
Oil, studio dirt, paper, glitter, artist palettes, linen on wooden stretcher bars
40 x 47 cm
enquire

François Durel
Cleave (2025)
found harvesting machine divider, leather
enquire






Installation view Hilary Loyd 




Supported by:

Arcadia Missa, Balice Hertling, Blue Velvet, Brunette Coleman, Carlos/Ishikawa, CFA, Christian Andersen, Collection of Charles Asprey, Emalin, Final Hot Desert, Galerie Neu, Galleria Franco Noero, Ginny on Frederick, Herald St, High Art, Jahn und Jahn, Jef Geys Estate, Karma, LC Queisser, Maureen Paley, Martina Simeti, Michel Majerus Estate, Schiefe Zähne and Tenko Presents.

This project also has been made possible through the support of Alina Tsyganova and Jacob Barnes.


Programme


14 October, 2025
Private View 
6:00 – 9:00 PM

17 October, 2025 
Launch of Émergent Magazine Issue 14
Live performance by SOF
6:00 – 9:00 PM


For sales enquiries email info@soft-commodity.com




émergent magazine is a biannual print publication and online platform that serves as a curated capsule of contemporary art. It brings together established and emerging contemporary artists, fostering critical dialogue and showcasing the diverse and distinctive artistic practices that collectively define the contemporary art landscape.

Founded and run by artists, émergent magazine functions as an exhibition in print, allowing readers a unique glimpse into the artists’ work beyond the gallery space, featuring notable artists like Wolfgang Tillmans, Yu Nishimura, Josh Smith, Mimosa Echard, Eric N. Mack, Angela de la Cruz, Michel Majerus, Tolia Astakhishvili, Ibrahim Mahama, Tom Burr, Gelitin, among many others.

You can discover émergent in stores and institutions worldwide, including MoMA PS1 in New York and Tate Modern and Serpentine Gallery in London. It’s also available in leading commercial galleries such as Gagosian and White Cube.

www.emergentmag.com